Our Leading Album of the Year: Rosalía's Lux Takes the Top Spot.
At first glance, this album could seem more like a challenging university challenge rather than a new pop album by an artist who just had a previous single was a collaboration with an international K-pop icon. Broken across 4 different sections and sung in 13 languages, we have a dizzying symphonic opus that delves into female mystery, spiritual ascent, and physical change, often through the perspective of various female saints. The end of a romance—a theme treated with grounded honesty elsewhere—soars heavenward here, supported by the constant presence of a full orchestra and work from an award-winning songwriter within a long list of contributors. The pure audacity by itself renders the work of contemporary pop stars look quite small.
Rising Above Scholarly Pretense
That this album manages to transcend overly academic chin-stroking is nothing short of miraculous, with sole praise going to the artist. Although this is not her first album to blend the past and the present, its ambitions are far greater here, with the tightrope walk far more precarious. What really elevates this fourth album, beyond its multilayered melodies, rich arrangements, and inherent drama, is a core sense of fun. Similar to the iconic artist at her peak, there is a wondrous quality to Rosalía's voice which sweeps you up in its whirlwind. When she's breaking your heart in two, you nevertheless desire to stay alongside her through the ride.
A Signature Example of Exuberance
That playful energy shines brightly on a stunning Italian song about a saint. It bathes in a sorrowful whirlpool over more than four moments. Then, all the music drops away, and there's a spontaneous giggle and a declaration prior to a hilariously over-the-top orchestral surge crashes down like comedic impact. The track then shifts to the wild track featuring galloping orchestration, an imposing choral group, and a cameo appearance from the artist Björk.
"The charm with this album lies in the listener never quite understand—or even wish to predict—what you is going to next."
Nearly every song ends in a totally different place from how it started. A track explores the transient trappings of celebrity over a delicate orchestration before disintegrating in electronic cacophony. Another, a song echoing the artist's earlier rhythmic style begins out dark and sinister, with menacing vocals, before sudden traditional rhythms and an angelic choir arrive to soften the song's jagged corners.
The Balance Between Art & Pop
A key achievement of the album is navigating the line of radical experimentation and mainstream accessibility. It is little coincidence that the album has achieved the artist's highest-charting release to break into the Top 5 of major charts: its heart contains a suite of truly catchy hits. A song performed primarily in English builds around a chorus that feels to gather increasingly nagging melodies as it spirals upward. This trick gets echoed by a different powerful ballad that expands and constricts, weaving layered tunes like a complex tapestry.
- A dance-infused number charms with its playful, theatrical drama and a chant-along chorus.
- Lyrically, it aligns the pop culture impact of other breakup songs, eviscerating a former partner labeled an "psychological bully".
- Across the album, the vocals have a sharp smile, akin to a storybook character concealing a blade: "Top prize in being a motherfucker / You've the podium of letdown."
An Opulent Feast for the Ears
Lux represents pop on a grand scale, an ambitious reach for capital-A artistry in an era of looming artificial sameness. It rejects self-absorption for sublime elevation, creating a dramatic drama that skillfully controls its inherent ridiculousness. This is a deep source of buried gems that requires patience to fully explore but never seem like a chore. While other major releases of the year felt like feasting on scraps, this record is a sumptuous banquet where the characters at the table, perhaps intoxicated on holy drink, flutter from discussions about historical saints, the galvanizing feeling of heartbreaking sadness, and shared stories about hopeless men. It is a contemporary theatrical production from pop's truly restlessly creative practitioner.